Contents:
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| Shaw, Patricia. Ale-wives,
Old wives, Widows and Witches: The Older Woman in English
Renaissance Literature |
9-35 |
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|
| Olivera, Macario. The
Birth of the Bible in English |
37-43 |
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|
| Suárez, Socorro y
Tazón E., Juan. Platonism and Love in Sir Walter
Raleigh’s life and works |
45-53 |
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|
| Fernández,
Santiago. Platonism and Love in Spenser’s minor poetry |
55-70 |
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|
| Chamosa, J. Luis. Poetry
translated from the Spanish: The case of England’s
Helicon |
71-82 |
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|
| Floren, Celia. Some
aspects of rhyme and suffixation in The Rape of
Lucrece |
83-93 |
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|
| González, J. M..
Political Strategies of Drama in Renaissance England |
94-104 |
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|
| Martínez, Miguel.
The Philosophy of Death in Ch. Marlowe’s Dr. Faustus |
105-122 |
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|
| Dañobeitia, M.
Luisa. Duplication and Emulation in King Lear |
123- 137 |
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|
| Sánchez, Javier.
English translations from the Spanish through French in
the 17th century |
139-156 |
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|
| Murillo, Ana. The Spanish
Jilt: the first English version of La Pícara
Justina |
157-177 |
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|
| Monnickendam, Andrew. Paradise
Lost as a novel |
179-190 |
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|
| Mairal, Ricardo. The
Semantic Field of “Light” and “Darkness” in Paradise
Lost |
191-209 |
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|
| López, Blanca. Sir
William D’Avenant’s so-called improvements of Macbeth |
211-222 |
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|
| Ungerer, Gustav. Thomas
Shadwell’s The Libertine: A forgotten
Restoration Don Juan Play |
223-240 |
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