Contents:
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Ahrens, Rüdiger.
Rhetorical means and comic effects in William
Shakespeare's Twelfth
Night
|
1-17 |
 |
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| Aguilera Linde, Mauricio
D., Rosa Morillas Sánchez. Dulce et utile:
Sidney's contradictory poetic theory |
19-29 |
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Aguirre, Manuel. Towards a
linguistic ecology of the Renaissance
|
31-37
|
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Bregazzi, Josephine.
Weaving an ironic web. Irony as structure in The Duchess of Malfi
and The White Devil
|
39-48 |
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Calvo, Clara. 'Too wise to
woo peaceably': The meanings of thou in Shakespeare's wooing-scenes
|
49-59 |
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| Dañobeitia,
María Luisa. A very commonplace but painful case: A
study of Venus and
Adonis and The
Rape of Lucrece |
61-76 |
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Elam, Keir. Inelocutio:
Shakespeare & the rhetoric of passions
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77-90
|
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Fernández Suarez,
Juan Ramón. Henry VIII's learned wives
|
91-98 |
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García
García, Luciano. Religion and rebelliousness in
Marlowe's Doctor
Faustus
|
99-110 |
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Gleeson, Mary. Three
scenes of sorcery: An analysis of witchcraft in Macbeth
|
111-121 |
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González
Fernández de Sevilla, José Manuel. Nick
Dear's adaptation of Tirso's Don Juan
|
123-132 |
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Guerra Bosch, Teresa. On
Cressida's defence
|
133-138 |
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López-Peláez Casellas, Jesús. Saint
Augustine and the Renaissance concept of honour
|
139-148 |
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López-Peláez Casellas, María Paz. La
música sacra inglesa en el Renacimiento
|
149-157 |
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López
Román, Blanca. Multicritical introduction to
Shakespeare television adaptations and the BBC Hamlet (1980, 1990)
|
159-169 |
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Martínez
López, Miguel. The Thomist concept of virtue in Ch.
Marlowe's Doctor
Faustus
|
171-181 |
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Medina Casado, Carmelo.
Presencia de Shakespeare en la obra de Antonio Machado
|
183-194 |
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Monnickendam, Andrew.
Anti-Scottish sentiment and the rise of
Englishness
|
195-208 |
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Murillo Murillo, Ana
María. Spanish books in Captain Stevens' library
|
209-218 |
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Olivares Merino, Eugenio.
On Prospero's abjuration of his "rough magic"
|
219-231 |
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| Oliveira Villacampa,
Macario. King James Bible: Language and times |
233-242 |
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|
Pando Canteli,
María Jesús. The treatment of the feminine
in Donne's love poetry: Some traces of the Roman elegy
|
243-253 |
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Pérez Valverde,
Cristina. Misogyny and witchcraft in the Jacobean period:
The case of Mother Sawyer
|
255-266 |
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Sáez, Rosa.
Religion, law and justice in The Merchant of Venice, Los intereses creados
and La ciudad alegre y
confiada
|
267-275 |
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Sánchez Escribano,
F. Javier. Learning Spanish in England in the 16th and
17th centuries
|
277-291 |
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| Shaw, Patricia. "I like
my wiues deuise well": Resourceful women in Deloney's
fiction |
294-301 |
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Shepherd, Robert K. Edmund
Waller Impounded
|
303-311 |
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| Sierra Ayala, Lina. The
religious advice of young Bacon to his Queen |
313-322 |
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Smale, Mervyn. "All our
yesterdays": Time as protagonist in Macbeth
|
323-328 |
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Tejera, Dioni. Decisiva
influencia de Thomas Gage en el "Western design" de Oliver
Cromwell
|
329-342 |
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Wallhead, Celia.
Complaints about court life in Renaissance England and
Spain. A comparison between Edmund Spenser's Prosopopoia or Mother Hubbard's Tale
and an anonymous letter of 1591 from Madrid to El Escorial
(Public Record Office State Papers: Spain 94 vol 4, part
1, folios 51-53v
|
343-354 |
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| Valdés Miyares,
Rubén. "What Knox really did": John Knox and the
Scottish Renaissances |
358-365 |
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