Contents:
|
| Preliminaries |
1-5 |
 |
|
| Aguirre, Manuel:
Repetition Metaphor and Conceit in the Renaissance |
5-10 |
 |
|
| Campbell, Gordon: Milton
and The Languages of the Renaissance |
11-21 |
 |
|
| Conejo Fort, María
Ángeles: In and Out of the Bird-Cage: The Language
of Confinement in the Duchess of Malfi
|
23-30 |
 |
|
| Expósito
González, María de la Cruz : Relativization
and Register: a Seventeenth Century Survey
|
31-40 |
 |
|
| Galván Reula,
Fernando: "I am not I, Pitie the Tale of Me": Reading and
Writing (in) Astrophil and Stella
|
41-62 |
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|
| Garcés
García, Pilar: The Place of Man in the Chains of
Being According to Sidney's Defence of Poesie
|
63-68 |
 |
|
| Gregor, Kreith: Narrative
and its Representation in Othello
|
69-75 |
 |
|
| Guerra Bosch, Teresa: Some
Analogies in La Celestina and Troilus and
Cresida
|
77-86 |
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|
| Healy, Thomas: Marlowe and
the Drama of Protestant sexuality
|
87-102 |
 |
|
| López-Peláez,
Jesús: Tragedy & Shared-Guilt: A Comparative
Approach to Othello y El Pintor de su
deshonra
|
103-110 |
 |
|
| López-Peláez,
María Paz: El laúd en el Renacimiento
inglés
|
111-119 |
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|
| Martínez
López, Miguel: Renaissance Visions of Paradise:
Ancient Religious Sources of Thomas More's The Best
State of a Commonwealth and the New Island of
Utopia
|
121- 132 |
 |
|
| Martínez Lorente,
Joaquín: “More's Utopia ” or “Utopia's Utopias
?”: How to handle textual and generic doubling
|
133-142 |
 |
|
| Mele Marrero, Margarita:
Cony Catchers and cazadores de gatos: An Examination of
the Lexis Related to Thieves and Swindlers in England and
Spain in the 16th and 17th Centuries
|
143-153 |
 |
|
| Monnickendam, Andrew: The
Poet and the Bard
|
155-164 |
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|
| Muñoz Valivieso,
Sofía: Northrop Frye's Critical Approach to
Shakespeare's Last Plays
|
165-172 |
 |
|
| Murillo Murillo, Ana
María: Redefining Characters in Translation: A Case
|
173-179 |
 |
|
| Olivera Villacampa,
Macario: The Book Of Common Prayer: Its Making
and Language
|
181-190 |
 |
|
| Sáez
González, Rosa: Masks and Characters in The
Merchant of Venice and Los intereses creados
|
191-202 |
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|
| Sánchez Escribano,
F. Javier: Tamburlaine, the Scourge of God: Mexia, Marlowe
and Vélez de Guevara
|
203-215 |
 |
|
| Sastre Colino, Concha: The
Romance in Shakespeare: Romeo and Juliet and The
Tempest
|
217- 228 |
 |
|
| Shepherd, Robert K.:
Criseyde/Creseid/Creseida: What's in a name?
|
229-236 |
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|
| Sinfield, Alan: Dissident
Reading : Summary
|
237-242 |
 |
|
| Tejera Llano, Dionisia:
Dr. Faustus and D. Juan: Two Baroque Heroes
|
243-250 |
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|
| Uhlig, Claus: Remarks on
the Chronology of Transition:
Renaissance-Mannerism-Baroque
|
251-271 |
 |
|
| Verdaguer, Isabel:
Problems in Translating Guzmán de Alfarache
into English
|
273-279 |
 |
|
| Sánchez Escribano,
F. Javier: Who's who in SEDERI (1993)
|
281-305 |
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|