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Edited by S. G. Fernández-Corugedo
Assistant Editors Emma Lezcano & Francisco Martín
Sederi — Universidade da Coruña
1996
ISSN 1135-7789
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Contents:
SECTION I: TOPICS IN RENAISSANCE ENGLISH
Fanego, Teresa. English in Transition 1500-1700: On Variation in Second Person Singular Pronoun Usage 5-16

Calvo López, Clara. The Tragicall Historie of Hamlet, Prince of Denmarke and the Pronouns of Address: Q1 (1603) versus Q2 (1604/5) 17-22

Martín Miguel, Francisco & González, Santiago . Addressing Formulae and Politeness in The Shepheards Calender 23-38

Gómez Soliño, José S. Continental English and the Standardization of the English Language in the Early Sixteenth Century: 1525-1540 39-46

Expósito, María Cruz. Internal Relations in Double-headed Noun Phrases 47-56

Lezcano, Emma. The choice of relativizers in Early Modern English: evidence from the Helsinki Corpus 57-66

Núñez Pertejo, Paloma. The House is Building: Active Progressive with Passive Meaning 67-72

Verdaguer, Isabel & Poch, Anna. The interaction of polysemy and complementation: A case study 73-79

Stone, John. Seventeenth-Century Jurisprudence and Eighteenth-Century Lexicography: Sources for Johnson's Notion of Authority: 79-92

O'Neill, Maria. Forgotten Figure on the Bridge 93-98

Lopez, Ambrosio. The Reinassance Environement of the first Spanish Grammar Published in Sixteenth Century England 99-106

Crespo, Begoña. English and French as L1 and L2 in Renaissance England : A Consequence of Medieval Nationalism 107-114

Doval, Susana. The English spelling reform in the light of the works of Richard Mulcaster and John Hart 115-126

SECTION II: TOPICS IN LITERATURE & CRITICISM
Shaw, Patricia. Mad Moll and Merry Meg: the Roaring Girls as Popular Heroine in Elizabethan and Jacobean Writings 129-140

De Paiva Correia, Maria Hélena. Lyric and lyric sequences 141-146

Ribes, Purificación. John Donne: Holy Sonnet XIV or the Plenitude of Metaphor 147-152

Lojo, Laura. John Donne. The New Turn of Classical Tradition 153-158

Sánchez Mosquera, Ana María. Blurred Contours: An Attempt to Deconstruct the Female Character in Books I and III of Edmund Spenser's The Faerie Queene 159-164

Flotats, Rosa. Knowledge and Science in Paradise Lost 165-172

Tazón, Juan. Death in Northern Africa: the Battle of Alcazar & its Theatrical Representation 173-178

Carvalho, Rui. ‘A more Familiar Straine': Puppetry and Burlesque, or, Translation as Debasement in Ben Jonson's Bartholomew Fair 179-186

SECTION III: SHAKESPEARE
Cooper, Helen. Hamlet and the Invention of Tragedy 189-200

Tronch, Jesús. Dramaturgy of the Acting Version of the First Quarto of Hamlet 201-216

Gómez Lara, Manuel. Emblems of  Darkness: Othello 1604 & the Masque of Blackness 1605 217-224

Prieto Pablos, Juan Antonio. Shakespearean Strategies of (Dis)Orientation in Othello , act I 225-230

Manzanas, Ana María. Conversion narratives: Othello and other black characters in Shakespeare's and Lope de Vega's plays 231-236

Gregor, Keith. The Elusive Ensign: Towards a ‘Grammar' of Iago's Motives 237-242

Ballesteros, Antonio: ‘Deformed, unfinished, sent before my time': Monstrosity in Richard III and Mary Shelley's Frankenstein 243-248

Alvarez Faedo, María José. The Epic Tone in Shakespeare's Henry V 249-252

Cora, Jesús: Shylock's five-facetted character 253-260

Arias Doblas, María del Rosario. Gender Ambiguity and Desire in Twelfth Night 261-264

González Campos, Miguel Angel: An Isle full of Noises, Sounds and Sweet Airs: Shakespeare's The Tempest and Krzysztof Kieslowski's Red 265-268

Muñoz Valdivieso, Sofía. ‘He hourly humanizes': Transformations and Appropiations of Shakespeare's Caliban 269-272

Soubriet, Beatriz. Ovid & Shakespeare's Venus and Adonis: A Study of sexual-role reversal 273-276

Bueno Alonso, Jorge Luis. The Fair and the Unfair: Renaissance Images and their change in Shakespeare's Sonnets 277-286

Martínez, Miguel. Teaching Shakespeare's Sonnets: Time as Fracture in Sonnets 18, 60, 73 287-296

Sánchez Escribano, F. Javier: Who's who in Sederi (1996) 297-318

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