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Contents:
Kiss, Attila. "The Body Semiotic in the Theatre"
13-23

Homem, Rui Carvalho. "Fleshly Voyages: Ben Jonson, Space and the Body"
25-41

Cano Echeverría, Berta y María Eugenia Perojo Arronte. "'A Medicine of Cheries': The Language of Profit in Sydney's Defence of Poesie"
43-48

Casanova, Jorge. "Crashaw and the Emblem Revisited"
49-56

Domínguez Romero, Elena. "'By Cruell Love Now Slaine': Virgilian Structures and Themes in England's Helicon"
59-65

Figueroa Dorrego, Jorge. "Wroth and Weamys: Two Different Approaches to Pastoral Romance, Love, and Gender"
67-73

Sáez Hidalgo, Ana. "The Spanish Connection of The Anatomy of Melancholy"
75-89

Zunino Garrido, Cinta. "Mycetes’ Rhetorical Failure in Christopher Marlowe’s Tamburlaine The Great"
91-97

Parker, Patricia. "What's in a Name: And More"
101-149

Álvarez Faedo, María José. "Orson Welles’s Gothic Cinematic Approach to Shakespeare’s Macbeth"
151-159

Barneto Alanís, Alfonso. "'Momentary grace': the Platonic Undertones of Hastings’ Prophecy in Richard III"
161-168

Dawson, Janet. "Order and Disorder in Two Versions of Troilus and Cressida: The Case of Ulysses"
169-177

González Campos, Miguel Ángel. "“Had I/ not four or five women once that tended me?”: Paul Mazursky’s Version of Shakespeare’s Tempest"
179-184

Martínez, Zenón Luis. "True Looking-glasses: Narcissism and Motherhood in Shakespeare’s Sonnets"
185-194

Machado, María Salomé. "Defying Convention: the Verbalization of Eroticism in W. Shakespeare’s Othello and J. Donne’s Elegie XIX"
195-202

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