Contents:
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Kiss, Attila. "The Body
Semiotic in the Theatre"
|
13-23 |
 |
|
Homem, Rui Carvalho.
"Fleshly Voyages: Ben Jonson, Space and the Body"
|
25-41 |
 |
|
Cano Echeverría,
Berta y María Eugenia Perojo Arronte. "'A Medicine
of Cheries': The Language of Profit in Sydney's Defence of Poesie"
|
43-48 |
 |
|
Casanova, Jorge. "Crashaw
and the Emblem Revisited"
|
49-56 |
 |
|
Domínguez Romero,
Elena. "'By Cruell Love Now Slaine': Virgilian Structures
and Themes in England's
Helicon"
|
59-65 |
 |
|
Figueroa Dorrego, Jorge.
"Wroth and Weamys: Two Different Approaches to Pastoral
Romance, Love, and Gender"
|
67-73 |
 |
|
Sáez Hidalgo, Ana.
"The Spanish Connection of The Anatomy of Melancholy"
|
75-89 |
 |
|
Zunino Garrido, Cinta.
"Mycetes’ Rhetorical Failure in Christopher Marlowe’s Tamburlaine The Great"
|
91-97 |
 |
|
Parker, Patricia. "What's
in a Name: And More"
|
101-149 |
 |
|
Álvarez Faedo,
María José. "Orson Welles’s Gothic Cinematic
Approach to Shakespeare’s Macbeth"
|
151-159 |
 |
|
Barneto Alanís,
Alfonso. "'Momentary grace': the Platonic Undertones of
Hastings’ Prophecy in Richard
III"
|
161-168 |
 |
|
Dawson, Janet. "Order and
Disorder in Two Versions of Troilus
and Cressida: The Case of Ulysses"
|
169-177 |
 |
|
González Campos,
Miguel Ángel. "“Had I/ not four or five women once
that tended me?”: Paul Mazursky’s Version of Shakespeare’s
Tempest"
|
179-184 |
 |
|
Martínez,
Zenón Luis. "True Looking-glasses: Narcissism and
Motherhood in Shakespeare’s Sonnets"
|
185-194 |
 |
|
Machado, María
Salomé. "Defying Convention: the Verbalization of
Eroticism in W. Shakespeare’s Othello and J. Donne’s Elegie XIX"
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195-202 |
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