Contents:
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| ARTICLES |
| Adamson, Silvia. Deixis
and the renaissance art of self-construction |
5-29 |
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|
| Maguire, Laurie. Helen of
Troy : representing absolute beauty in language |
31-51 |
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|
| Monrós Gaspar,
Laura: “Boscovos tromuldo boscovos”: a case study in the
translation of William Shakespeare's All's well that
Ends Well |
53-70 |
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|
| Da Cunha Resende, Aimara:
“Here's sport indeed!”: interchangeable voices and mass
communication in renaissance England |
71-90 |
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|
| Ribes,
Purificación: Country viwes and country girls in
eighteenth-century England . A history of theatrical
rewriting |
91-108 |
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|
| Sánchez Escribano,
F. Javier Portuguese in England in the sixteenth and
seventeenth centuries |
109-132 |
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|
| NOTES |
| Bueno Alonso, Jorge Luis.
Two Spanish renderings of Philip Sidney's “First Song”
from Astrophil & Stella (1591): a
reappraisal and a new proposal |
135-151 |
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|
| Cranmer, David. English
music in the library of king Joao IV of Portugal |
153-160 |
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|
| De Pando Mena, Paula:
Emasculated subjects and subjugated wives: discourses of
domination in John Bank's Vertue Bretay'd
(1682) |
161-175 |
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|
| REVIEWS |
| Bueno Alonso, Jorge Luis.
A concise companion to Shakespeare on screen ,
ed. by Diana E. Henderson |
179-188 |
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|
| Hoenselaars, Ton. Renaissance
and Reformations: an introduction to early modern
literature , by Michael Hattaway |
189-193 |
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|
| Hoenselaars, Ton.
Shakespeare on screen: “ Richard III ”, ed. by
Sarah Hatchuel & Nathalie Vienne-Guerrin |
195-198 |
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|
| Mora, María
José. The Libertine , dir. Laurence
Dunmore |
199-204 |
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|
| Sáez Hidalgo ,
Ana. Gloriana's Rule: Literature, Religion and Power
in the Age of Elizabeth , ed. by Rui Carvalho
Homen & Fátima Vieira |
205-210 |
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