Contents:
|
| ARTICLES |
| Díaz Santiago, Mª
Victoria. The necromancer Friar Bacon in the magic
world of Greene’s comedyFriar Bacon and Friar
Bungay |
5-26 |
 |
|
Fernández Rodríguez,
Carmen María. Frail patriarchy and the
authority of the repressed in William
Shakespeare’s Measure
for Measure
|
27-43 |
|
|
Matuska, Ágnes. “Masking
players, painted sepulchers and double dealing
ambidexters” on duty: anti-theatricalist tracts on
audience involvement and the transformative power
of plays
|
45-59 |
|
|
Ribes Trave, Purificación.
Stefan Zweig’s Volpone,
eine lieblose Komödie: a reassessment
|
61-80 |
|
|
Rodríguez Rodríguez,
Beatriz Mª. David Rowland’s Lazarillo
de Tormes (1586):
analysis of expansions in an Elizabethan
translation
|
81-96 |
|
|
| Ruano García, F. Javier.
North-East Yorkshire speech in the late
seventeenth century: a phonological orthographical
evaluation of an anonymous printed broadside
|
97-119 |
|
Sell, Jonathan P.A.. Vulgar poesy and
the music of disorder in The
Tempest
|
121-145 |
|
|
Taylor, Gary. Historicism, presentism and time:
Middleton’s The
Spanish Gypsy and A
Game at Chess
|
147-170 |
|
|
|
| REVIEWS |
| López-Peláez Casellas,
Jesús. Borge, Francisco J. 2007. A
New World for a New Nation. The Promotion of
America in Early Modern England |
173-179 |
|
|
| Sáez Hidalgo, Ana.
Álvarez Recio, Leticia 2006. Rameras
de Babilonia: historia cultural del
anticatolicismo en la Inglaterra Tudor |
181-185 |
|
The
Association 
