Contents:
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| ARTICLES |
| Díaz Santiago, Mª Victoria. The necromancer Friar Bacon in the magic world of Greene’s comedy Friar Bacon and Friar Bungay |
5-26 |
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Fernández Rodríguez, Carmen María. Frail patriarchy and the authority of the repressed in William Shakespeare’s Measure for Measure
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27-43 |
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Matuska, Ágnes. “Masking players, painted sepulchers and double dealing ambidexters” on duty: anti-theatricalist tracts on audience involvement and the transformative power of plays
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45-59 |
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Ribes Trave, Purificación. Stefan Zweig’s Volpone, eine lieblose Komödie: a reassessment
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61-80 |
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Rodríguez Rodríguez, Beatriz Mª. David Rowland’s Lazarillo de Tormes (1586): analysis of expansions in an Elizabethan translation
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81-96 |
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| Ruano García, F. Javier. North-East Yorkshire speech in the late seventeenth century: a phonological orthographical evaluation of an anonymous printed broadside |
97-119 |
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Sell, Jonathan P.A.. Vulgar poesy and the music of disorder in The Tempest
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121-145 |
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Taylor, Gary. Historicism, presentism and time: Middleton’s The Spanish Gypsy and A Game at Chess |
147-170 |
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| REVIEWS |
| López-Peláez Casellas, Jesús. Borge, Francisco J. 2007. A New World for a New Nation. The Promotion of America in Early Modern England |
173-179 |
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| Sáez Hidalgo, Ana. Álvarez Recio, Leticia 2006. Rameras de Babilonia: historia cultural del anticatolicismo en la Inglaterra Tudor |
181-185 |
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