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Sederi 25 — 2015
EDITORS
Berta Cano Echevarría & Ana Sáez-Hidalgo
REVIEW EDITOR
Francisco J. Borge López
ISSN 1135-7789
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Contents:
Obituary in memoriam Prof. F. J. Sánchez Escribano
5-8

ARTICLES
Calbi, Maurizio. Exilic/idyllic Shakespeare: Reiterating Pericles in Jacques Rivette's Paris nous appartient
11-30

Caporicci, Camilla. The tyranny of immaterialism: Refusing the body in The Winter's Tale
31-54

Hadfield, Andrew. Grimalkin and other Shakespearean Celts
55-76

Houliston, Victor. Filling in the blanks: Catholic hopes for the English succession
77-104

Lasa Álvarez, Begoña. Constructing a portrait of the early-modern woman writer for eighteenth-century female readers: George Ballard's Memoirs of Several Ladies of Great Britain (1752)   105-127

Rayner, Francesca. Adapting Macbeth in a Lusophone context: The challenges of intercultural performance 129-151

NOTES
Mora, María José. The casting of Sancho in Durfey's The Comical History of Don Quixote, Parts I-II (1694)
155-167

REVIEWS
Camilla Caporici. 2013. The Dark Lady. La Rivoluzione Shakespeariana nei Sonetti Alla Dama Bruna, Passignano Sul Trasimeno (by Cristiano Ragni)
171-173

Pilar Cuder-Domínguez, ed. 2014. Genre in English Literature, 1650-1700: Transitions in Drama and Fiction (by Jonathan P. A. Sell)
175-180

Andy Kesson. 2014. John Lyly and Early Modern Authorship (by Jonathan P. A. Sell)
181-187

Philip Lorenz. 2013. The Tears of Sovereignty: Perspectives of Power in Renaissance Drama (by Víctor Huertas)
189-194

Laura Martínez-García. 2014. Seventeenth- and Eighteenth Century English Comedies as a New Kind of Drama (by Jorge Figeroa Dorrego)
195-200

Ángel-Luis Pujante, Juan F. Cerdá, eds. 2014. Shakespeare en España: Bibliografía anotada bilingüe / Shakespeare in Spain: an Annotated Bilingual Bibliography (by Rui Carvalho Homem)
201-205

Miguel Ramalhete Gomes. 2014. Texts Waiting for History: William Shakespeare re-imagined by Heine Müller (by Francesca Rayner)
207-211

Richards, Cynthia & Mary Ann O'Donnell eds. 2014. Approaches to Teaching Behn's Oroonoko (by Ángeles Tomé Rosales)
213-217

PERFORMANCE REVIEWS
Shakespeare in Almagro 2014: Hambret (by Isabel Guerrero)
219-223






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